Sunday, November 27, 2005

This weekend I started the demo of the second floor bathroom. I started by disconnecting the water and waste lines to the claw foot bathtub, and hawled it out into the hallway that went no where which I now believe was the original bathroom. As the bathroom approaches completion, I'll have the tub restored with a clown white ceramic finish and cobalt blue underside with silver claws. I disconnected the vanity water and waste lines and put this item as well as a free standing hunch on Craig's List; they where gone within a few hours with over 50 people responding. They where fairly new, but more of a contemporary style. I'm going to leave moving the toilet until the last moment.

I picked up a new chisel with a hand guard, which is a great idea for us newbie demo people. It pretty much guarantees no smashed fingers. And the price? It was the same without a hand guard...

After chipping away at the tile, I found it was attached to a tile backing board that has been screwed down into the original hardwood floor. My original plans are to take the floor down to the studs and build it back up, since all the waste and water lines are required to move, as well as adding two new waste lines, to accomidate the new design. Another issue to take into account lies below the bathroom, which is the formal library. No matter how much splashing or over flowing takes place, this bathroom cannot leak; it must not leak. To insure this, I'm putting in a centered floor drain as well. Is this the right approach, I ask myself? Taking it down to the studs, removing all the subflooring, move all the plumbing, build it back up with water proof membranes and retile the floor and kickboards?



Update
The first step is completed: digging up the tile and backerboard from the hardwood floors. Pictures follow:

Friday, November 04, 2005

This week’s work entailed preparing for a workshop on preservation and landmark nomination, sponsored by Historic Seattle. It’s an eight hour workshop covering such topics as preservation ordinance, new construction, zoning and planning, dealing with local historical properties, etc.

I suspect most of these topics won’t be applicable to my situation of submitting the Urban Queen Anne for historic preservation. But I’ve obtained the copy of the original deed from 1889, a 1937 photo of the house as well as a present day photo and a few other tid-bits of information. I’m hoping to get some tips on where to locate census and tax records from the last 120 years, along with cross references on previous owner’s bio’s.

In Seattle, landmarks must be older than 25 years, and maintain enough integrity to convey their significance, in addition to meeting one or more of six established criteria:

• How is it an outstanding example of its style or an outstanding work of the architect?
• How did the building contribute significantly to the development of the area or the city?
• What does it represent that is important (such as a social or architectural trend)?
• Is it related to an important person? Why was he or she significant? In what way was he or she connected to the building? Is the connection significant?
• Is this building unique in some way or are there others like it (style, building type, historical use, etc.)? Is this the city's best example?

The workshop should provide some ‘high brow’ entertainment never the less.